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Kid A Radiohead

Tom Cruise on Radiohead

As you may know, Tom Cruise has spoken a lot about Radiohead and the role their music has played on the filming of his new move Vanilla Sky. Here’s an excerpt from a recent interview:

Is it true that Cameron Crowe played music while taping a scene?
He always did. It started on Jerry Macguire with me; that was the first picture. Cameron is a musician also. He’s a writer, a musician, a filmmaker and we just started playing around one day and he just had music. As an actor you just let it wash over you and see what color it’s going to bring to the scene. He also does stuff where we’re going along and he’ll throw out lines at me, it feels like a workshop when we’re working. Everybody is very comfortable and relaxed and there was a lot of focus on the scene and everyone kind of contributes. It helps the actors and sometimes you get different ideas and colors. For this movie we listened to Kid A a lot and to the U2 album. The Icelandic group (Sigur Ros) too. Of course, the Stones and Bruce Springsteen but a lot of Kid A. Walking through New York I think of U2 and I think of Radiohead.

Read the rest of the interview here.
{thanks to Edison}

Categories
Amnesiac Kid A OK Computer Radiohead

What Went Right With I Might Be Wrong?

The following article is from MTV.com:

What Went Right With I Might Be Wrong?
Before I Might Be Wrong: Live Recordings slinks off the Billboard 200 charts entirely (it slides to #166 next week), we’d like to take a moment and ponder what could have been (and maybe should have been) for Radiohead’s much-ballyhooed concert record.

Coming on the heels of the band’s potent 1-2 combination punch of Kid A and Amnesiac, as well as Radiohead’s acclaimed tours of Europe, North America and Japan this summer, I Might Be Wrong was obviously meant as a way to tide fans over until Thom Yorke and company’s next proper release. Nothing new there, as Radiohead had previously done something similar by issuing its Airbag/How Am I Driving? EP in spring 1998, almost nine months after releasing OK Computer and featuring several B-sides and unreleased tracks from the OK sessions.

Categories
Amnesiac Radiohead

Two RH Cuts Get A New Look

Radiohead have given two tracks from Amnesiac the once-over for a specially commissioned video used as the highlight of the Projectors Animation Festival held at the Centre For Contemporary Arts in Glasgow. The combined version of “Pull/Pulk Revolving Doors” and “Like Spinning Plates”, which took four months to complete, was directed by Johnny Hardstaff for Black Dog, of Bjork and Aphex Twin fame. No announcement has been made whether the film, which makes the video for “Pyramid Song” seem as fun and happy as a little kid flying a kite on a sunny day, will be available to the general public.

Categories
Radiohead

Killradio.org Radiohead show

Killradio.org will broadcast a Radiohead only show tonight Dec 7 @ 10pm (pacific). They will spin rare cuts, Interviews, live tracks, and other surprises.

This is the first show of it’s kind powered by an IPOD and ITUNES.

For more info, visit Killradio.org.

Categories
Radiohead

News from H&V

Here’s some more info from Capitol Records about news we’ve already reported:

RADIOHEAD ON THE TELLY AND THE SILVER SCREEN

LOS ANGELES FANS: Tune in to the PBS/KCET pledge drive this Saturday, December 8 at 11:00pm to watch footage from Radiohead’s performance on Jools Holland.

Plus Radiohead mix with Tom, Penelope and Cam D in Cameron Crowe’s new film “Vanilla Sky.” Get a double dose of Radiohead when the movie, featuring “I Might Be Wrong” and “Everything In Its Right Place,” makes its way to theatres on December 14th. “I Might Be Wrong” will also be included on the soundtrack, in stores December 11th.

Categories
Radiohead

Best Live Act

In the January 2002 issue of Spin, Radiohead were named “Best Live Act.” Here’s the article:

Radiohead mean different things to different people. But to the American record- buying public, Radiohead still means ace Anglo guitar bombast and choked-up balladry, not synthesizer loops and drum machines. So while Radiohead the “band”? spent most of early 2001 doing whatever the hell they wanted, Radiohead the “sound” struggled on without them. Americans a little tired of Kid A-ing around, discovered a shelf full of alternatives. Among the bands willing to be Radiohead because Radiohead didn’t want to be Radiohead anymore were:

Travis (Radiohead but nice), Coldplay (Radiohead but sincere),? Doves (Radiohead but vaguely funky), Muse (Radiohead but not that good), David Gray (Radiohead for your mom), and Clinic (Radiohead for Radiohead). At the dawn of summer, with the new Radiohead album Amnesiac selling well though puzzling fans further, the situation seemed irreversible. But soon, all that changed. An anxious nations concerns were washed away nightly during Radioheads triumphant late summer tour of arenas and rave-like venues. Icy swaths of synths gave way to Jonny Greenwood’s roaring guitar and brother Colin’s rollicking bass. Newer songs particularly the frantic “Idioteque”? and the blistering bottom heavy “The National Anthem”, rocked like classic Radiohead. At New York City’s Madison Square Garden in August, as the pulsing final notes of “Everything In It’s Right Place”? receded all “halteration” (as Mary J. would say) was extinguished along with the last cigarette lighters. The name of the band’s late- 2001 mini live album-I Might Be Wrong: Live Recordings- seemed apt. So, rock ‘n’ roll duly saved, and principles intact, Radiohead the “band” jetted off to Bilbao to play with their Moogs.

{thanks to Lewis}